Let’s discuss one of the best reverb plugins you can get in 2025!
As one of my favorite effects ever, I think reverb provides the real spice to mixes. As the dimension and ambiance are two fundamental aspects of any sound production, they give the necessary clarity, depth, and richness at specific frequencies. When combined with a bit of delay or chorus, you get those fantastic tones that can make your guitar, vocal, synth, or any instrument truly shine.
In my opinion, finding the right plugin for reverb is just like finding the right spice for your food. If it overpowers the real flavor, it is too much; if it enhances the flavor with the right balance and color, it is perfect.
That is why it is important to find the right reverb tool, so your tracks can elevate to the next level. These are the best reverb VSTs that I have tested, and I can recommend them to anyone who wants that spice in their music. Let’s check them out!
1. Polyverse Comet
Built from a one-of-a-kind algorithm, Comet isn’t modeling rooms or plates, it’s sculpting lush, futuristic ambience designed to melt into your mix.
What I love about Comet is that it doesn’t try to mimic real rooms or vintage units. It’s a creative reverb first, with its own dreamy vibe and that vibe is lush, bright, and occasionally completely unhinged in the best possible way.
The interface is super sleek and simple to use. You’ve got just a few core controls like Size, Decay, Color, Hi/Lo Damp, Diffuse, and the mysterious but magical Detune but the magic is in how these interact.
I especially love the Glide control, which lets you morph between 5 loaded presets, creating these smooth, animated transitions that feel like your track is melting through space.
- Unique Morphing System
Comet lets you load 5 presets at once, then fade between them using the Glide slider. It’s like having 5 different reverbs waiting to swirl together into one evolving wash.
I’ve used this to create ambient risers, crazy snare tails, and even pseudo-vocal pads by morphing bright and dark settings in real time.
- Detune for Extra Sparkle
The Detune slider is where things get trippy. At zero, it’s metallic and a little raw, but turn it up, and suddenly your reverb blooms with shimmer and depth. I use this a lot on leads and vocals to give them that ethereal, spaced-out glow.
- Color and Damping
When I push the Color high and leave Hi Damp low, Comet gives me these sparkling top-end reflections that feel more like an enhancer than a reverb. It’s one of the few plugins where I want that sizzling high-end to sit on top of the mix.
Now, it’s not perfect as when you’re just tweaking parameters, Glide can get in the way by delaying the changes. You can work around it, but I wish I could bypass it while editing. ,
Also, all parameters glide at the same speed, which limits some nuanced automation moves.
But for electronic, ambient, or experimental music, Comet is a must-have. It’s not trying to be subtle, it’s trying to transform your sound.
It’s my go-to when I want something fluid, otherworldly, and just a little weird. If you’re looking to take your reverb game to a different planet, Comet’s ready for launch.
Comet comes in VST, AU, and AAX formats for macOS and Windows users.
2. FabFilter Pro-R 2
With its new features and higher flexibility, Pro-R 2 follows in the footsteps of the original version to create high-quality reverb effects with a clean and intuitive interface and deserve to be part of the best reverb plugins list.
I think the standout feature here is the three high-quality reverb algorithms: Modern, Vintage, and Plate. Each comes with a unique character as the Modern offers clean natural reverb, the Plate has metallic reverb, and the Vintage brings warm and lush effects.
Another important and unique feature of this reverb VST plugin is the IR import. It is great to be able to load impulse responses and turn them into custom presets.
I also like that the plugin now has Ducking and Auto-Gate features, as the older version did not. These controls come in handy when you want to play with the dry-wet balance of your tone. The thickness dial is important to add saturation and warmth to the reverb tail, and it is perfect for adding presence without clutter.
What makes the unit really shine is its versatility and simplicity. Its intuitive controls, such as Space, Brightness, and Character, as well as its ability to fine-tune the effect decay and stereo width, give the user great control to find the perfect reverb sound.
Plus, the new immersive audio features make it a great choice for surround or Dolby Atmos setups, adding even more potential to your mixes.
Whether you’re working on music or immersive mixes, Pro-R 2 provides the tools to create natural, dynamic reverbs that sit perfectly in your mix.
Pro-R 2 comes in AAX, AU, and VST3 formats for Mac and Windows users.
3. iZotope Aurora
I love how the smart plugins are getting better each day. The Aurora is a smart reverb VST plugin that can adapt itself dynamically by reacting to the incoming audio to create space out of the reverb. This revolutionary technology makes this unit stand out from the rest.
I love how this unit works as it reacts to your audio to dynamically unmask instruments and vocals, creating lush, three-dimensional space without drowning out your tracks. It never overwhelms the track with huge effects. Here, it is more about subtle nuances that enhance the atmosphere and depth without shadowing the main role. You can think of it as adding a soft glow to your tone.
One aspect I enjoy is how the unit deals with the midrange. Adding that smooth, warm space gives vocals and acoustic instruments room to breathe. The versatile plugin easily fits into the mix with the adaptive intelligent design.
It has 6 reverb types, from short, tight reverbs to longer, more atmospheric sounds. Here, I must say that this is not a VST to enhance space with flashy, wild reverb effects. It succeeds at subtle enhancements, but this is not the one for you if you are after a wild reverb with long tails and spacy sounds.
But this is a great unit to have in your arsenal to enhance vocals and acoustic instruments and glue the track together without making things sound washed out.
Aurora comes in AAX, AU, and VST3 formats for Mac and Windows users.
4. SoundToys SuperPlate
SuperPlate is one of those reverb vst plugins that offer lush and classic reverb effects. It has the classic sound combined with modern flexibility and control, giving you five legendary plate reverbs in one unit.
I love the range of plate models this unit offers. It has EMT 140, EMT 240, Audicon, Stocktronics RX4000, and EcoPlate III reverb units, giving you different choices for different mix situations.
The 140 is great as a reliable reverb for vocals, while the Stocktronics offers the bright, edgy attack for a snare. For tweaking further, it also has pre-delay and infinite decay settings. This way, you can create new reverb tones that you might not expect from a plate reverb.
I also enjoyed the Auto-Decay feature as it shortens the reverb time dynamically instead of just ducking reverb levels when things get busy. It keeps everything clear and punchy.
I used the plugin with vocals and drums, and the result was pretty good. For vocals, it gives a lush and enveloped sound, while for drums, it has a blooming reverb that responds well to each hit.
I must say that this is not a wild experimental reverb some might be looking for. It is more of a rich, realistic plate effect tool. For mixing, I think it is a good choice, but if you want extreme ambient reverb textures, you might want to look elsewhere.
I would recommend combining two different reverb effects with slightly varied decay times. This way, you can create a layered depth with a natural and big feel. In short, this is a great plugin if you like those classic plate tones.
SuperPlate comes in AAX, AU, and VST3 formats for Mac and Windows users.
5. Baby Audio Crystalline
One of the best reverb plugins, Crystalline is for those looking for power and ease of use from their reverb plugin. With its clean and simple interface, it brings lush, wide, and atmospheric sounds to your mixes.
I really enjoy simple and clean interfaces, and this plugin is just like that. But it can do much more than that.
For me, the standout feature is the reverb’s timing and dynamics. It has Start and End sliders that allow control when the reverb kicks in and finishes. This way, the effect can be synced with the track’s rhythm. I also like that it has the Ducker feature for tight mixes.
The plugin also has some experimental features like the reverse effect and freeze functions for different reverb uses.
I think this is a pretty flexible unit as it comes with 300 presets, modulation, and shimmer controls, as well as the clean-up section for tightening things up and eliminating muddiness from the mix.
Regarding reverb quality and quantity, it is a hard-to-beat unit. The only drawback for me is the preset organization, as the groups are not well-placed.
I recommend using the Start slider on vocals to leave them dry for a beat before the reverb comes. This effect is great for building tension and creating space.
All in all, Crystalline is a quite versatile reverb unit that can enhance your mixes with clarity and creative controls. From warm reverb to wild experimental effects, you can craft your tone with the unit’s simple and clean interface.
Crystalline comes in AAX, AU, and VST3 formats for Mac and Windows users.
6. Eventide Blackhole Immersive
Although I love deep and atmospheric textures with the right amount of space, it is not easy to find a plugin that can create high-quality tones in those realms. That is where the Blackhole Immersive shines, as it is a staple for ambient soundscapes and immersive mixes.
Modeled after the DSP4000 hardware unit in the early ’90, this unit can transform any sound into swirling, otherworldly effects. I love how it can take anything and make it something you would never imagine.
I like its user interface, but I have to admit that it has so many controls and parameters to play with. Gravity, size, and feedback are there to shape decay time, but they also serve in different ways. Gravity allows you to finetune the reverb’s decay shape. It can be smooth, dense, or reversed so that you can create dramatic reverb tails. The Size is responsible for stretching the reverb from tight slapback effects to vast, canyon-like expanses. Finally, Feedback is for extending the reverb tail to infinity for long echoes.
Coming to my favorite features, the Crosfeed parameter allows you to organize how much reverb will be sent to the surround channels. With this feature, you can create immersive mixes in formats like 7.1 and control the spaciousness of your track. Increasing the parameter will add dimension and depth to the sound while decreasing it means focusing more on the center.
I think the tempo-sync-able delay section is a nice touch for more versatility, and the loop delay is also good for creating feedback in the reverb for an evolving, big ambient texture.
Finally, the Freeze button is great for muting the dry signal and creating infinite reverbs immediately. I recommend this feature to producers who are into cinematic sound design or experimental music.
In short, Blackhole Immersive is a powerful reverb plugin that’s perfect for anyone working in surround or immersive audio environments. It combines rich, dark reverb effects with advanced spatial control, making it a must-have tool for adding atmospheric depth and creative sound design to your mixes.
Blackhole Immersive comes in AAX, AU, and VST3 formats for Mac and Windows users.
7. Waves CLA Epic
This one is a special pick for rock fans. CLA Epic brings the iconic sound of Chris Lord-Alge with its special delay and reverb sections. It can easily be considered one of the best reverb VST plugins on the market.
I love how this reverb VST plugin looks, as it has a unique interface that imitates a mixer setup. You can route four delay types to any of the four reverb types or basically directly to the output. This versatility is great for playing and experimenting with different combinations for distinct tones.
The delay choices are Tape, Throw, Slap, and Crowd, while the reverb choices are Plate, Room, Hall, and Space. Each choice brings a unique character to the sound. My favorites are Throw for manually or automatically triggering delay taps for specific notes and Crowd as it adds a thick, multi-tap effect that expands over time.
Reverb effects are actually complimentary to the delay effects of the unit. They are designed to create massive sounds without muddying the water.
Another great aspect of the unit is its simplicity. I like its intuitive control for everything from delay and reverb sections to routing. The built-in presets are also pretty good, as they are created by Lord-Alge. The presets can give you any effect you search for, from subtle thickening to epic washes.
I think this plugin can work on individual instruments, buses, or even full mixes. If you’re into blending delays and reverbs for huge, lush effects, this plugin is a must-have for creating dynamic, rock-inspired mixes.
CLA Epic comes in AAX, AU, and VST3 formats for Mac and Windows users.
8. United Plugins Biverb
Biverb is going to be a fun tool for you if you like versatile plugins with smart controls. It can create unique tones by combining different reverb types. It feels like two reverb plugins in one unit.
Probably my favorite feature here is how easy it is to dial in the reverbs to the tone. Using lush and hall reverb on vocal or tight plate reverb on snare drums, for instance, gives great results. The effects almost never muddy the mix and create a good amount of depth and space.
Then, there is the modulation side. I love that this is a versatile tool with many effects sections. The engine has its own modulation section, giving the reverb effect some extra movement. This is a great section for producers who want evolving textures and rhythmic effects. It is ideal for electronic music or any situation where an alive and dynamic reverb is needed.
Also, there is the independent ducking feature to keep the signal clean and the reverb present.
Well, I have to admit, when I first saw the GUI, I was a bit overwhelmed. It seems complicated and a bit too much. There are so many controls that it is hard to find your way. So, for musicians looking for a simple reverb unit, this is not your cup of cake.
Finally, I also like the Quite-Loud feature, as it adds a bit of character to the mix. It allows you to add more depth to softer sounds and punchiness and clarity to loud elements.
All in all, this is a highly powerful and versatile plugin that can create some amazing effects. It is just a bit hard to get used to, which makes sense with so many controls. Considering its price, I recommend this unit to every producer.
Biverb comes in AAX, AU, and VST3 formats for Mac and Windows users.
9. Cableguys ReverbShaper
If you like rhythmic movement and precision in your mixes, ReverbShaper is a dynamic reverb plugin that allows you to draw custom LFOs to modulate reverb parameters.
If you are like me and love the rhythmic reverb effects, you will fall in love with this unit. This tool can enhance the atmosphere and groove for genres like electronic, hip-hop, and pop.
I love the versatility it offers, as you can draw any shape to control the reverb motion to add unique textures. I also like the advanced ducking feature that automatically reduces reverb intensity when the dry signal is present. It prevents muddiness and maintains clarity.
Another great feature for me is the 127 different reverb types the plugin offers. From classic room effects to halls, you can create anything with this tool.
The only thing I can say against ReverbShaper is its learning curve. The interface is a bit complex, with large editing areas and many options for modulation. Also, it may not be the best tool for weaker computers as this is a resource-heavy plugin.
Besides that, it is a great and highly versatile unit that can create anything from ambient moving shimmering reverbs to classic lush effects. Definitely deserves the place to be in this list of the best reverb plugins.
ReverbShaper comes in AAX, AU, and VST3 formats for Mac and Windows users.
10. Minimal Audio Swarm Reverb
Swarm Reverb offers a fun and new approach to traditional reverb plugins. As an algorithmic reverb plugin, it is a powerhouse for creating extreme reverb effects.
Well, the first thing I must mention is that this is a dual-stage reverberator. This means it is designed to generate rhythmic, tempo-synced spatial effects, perfect for pumping ambiances or wild sonic textures.
I really enjoy using the plugin thanks to its sleek and easy-to-use user interface. The controls are there for early and late reflections to grasp every aspect of the effect. The Attack control adjusts the impact of the early reflections, while the Size is for space adjustments, and the Decay is for late reflections. I like the Attack control as it can give delay-like or reversed sounds when turned up.
Balance control is also important in combining and blending early and late reflections. Damping is also a nice addition as it tames the high frequencies.
For those who want more control, there is the Diffusion Filter for a variable low-pass filter to the feedback loop, shaping the reverb’s tone. There are also high and low pass filters, along with pre-delay and feedback for unique rhythmic effects.
I appreciate they added a simple modulation section, too. It features an unsynced LFO for chorus and detune effects, as well as a ducking tool that dynamically reduces the wet signal when needed.
While it may lack the depth of more advanced reverbs, Swarm’s simplicity and ability to produce creative, unusual effects make it a great choice for producers looking to explore the limits of reverb in their mixes.
Swarm Reverb comes in AAX, AU, and VST3 formats for Mac and Windows users.
11. Arturia Rev INTENSITY
Rev Intensity is a highly innovative and one of the best reverb VST plugins that blends traditional reverb effects with powerful modulation features.
What I really like about this unit is its capacity to manipulate reverb with precise modulation and dynamic control. It is a powerful tool that can go from subtle effects to dramatic soundscapes brilliantly.
The heart of the unit is its highly programmable engine, offering up to 13 modulation destinations for deep, evolving sound design. It also has an envelope follower, which I think is the standout feature of the plugin, enabling reverb parameters to be modulated based on the audio signal’s volume, which is perfect for rhythmic or reactive effects.
Another nice touch is the multimode filters for pre and post-reverb that allow the users to shape the sound as they like by controlling the frequencies before and after the effect.
Like the other ambient reverb units, this one also has the Freeze function to capture and sustain the reverb to create evolving textures. The delay modulation is there to sync the effect with the tempo of the track for more rhythmic control.
To conclude, it offers a fresh and innovative way to create reverb effects with high flexibility for adding textures, movement, and depth to the mixes.
Rev INTENSITY comes in AAX, AU, and VST3 formats for Mac and Windows users.
Last Words
A good reverb can make a real difference as it can evoke emotion, depth, and character in your mix. Finding the right one depends on your needs, budget, and workflow. My top recommendations would be Comet, Pro-R 2, Rev Intensity, and Swarm Reverb.
Pro-R 2 is one step ahead with its precision and flexibility, making it an essential workhorse for clean mixes. Thanks to its creative modulation and dynamic controls for crafting unique soundscapes, Rev Intensity takes the spot. Finally, Swarm Reverb is just fun to use and ideal for pushing the boundaries for rhythmic unconventional textures.
In any case, there is a reverb unit for everyone, as the plugins on this list offer a wide range of tools to explore. Hope you enjoy them in your workflow!
Berk Öztuna, a musician from Istanbul, is skilled in handpan, percussion, and guitar, performing and recording his own compositions globally. With expertise in music production and audio technology, he integrates virtual instruments and sound design tools seamlessly into his work. He also writes insightful articles on music production and gear for platforms like Plugin Noise and shares his music on Spotify and Instagram.
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