Echoes T7E is a beautifully dark, vintage delay that nails the Pink Floyd-style echoes with deep, evolving textures. Tough not as versatile, its rich analog warmth and unique playback options set it apart from standard delay plugins. Its smooth, rolling echoes and Swell mode create lush ambient textures, perfect for Gilmour-esque leads for a reasonable price tag.
Pros
- Faithful emulation of the Binson Echorec with warm, analog character
- Three playback modes and 12 head combinations for unique rhythmic delays
- Varispeed control allows real-time pitch shifting and creative effects
- Low CPU usage, making it easy to use in multiple instances
- Preamp mode adds rich saturation for extra tonal shaping
Cons
- Dark, murky sound may not cut through dense mixes without EQ
- Limited versatility compared to broader delay plugins like EchoBoy
- Some minor lag when switching delay modes on lower-end systems
- No built-in reverb or modulation effects to further shape echoes
Alright, folks, today we’re taking a trip back in time with Echoes T7E, a plugin that revives the legendary Binson Echorec, the delay unit that made Pink Floyd sound like they were broadcasting straight from space.
If you are like me, you love those warm, gooey, slightly unpredictable analog echoes and that is what Echoes T7E is all about.
This bad boy is right up your alley, as it emulates the sound of Echorech, which uses a spinning magnetic drum for extra stability instead of chewing up and stretching tape like a restless toddler with a cassette deck like standard tape delays.
This brings you fewer wobbles but a great vintage character with plenty of lushness. Audiority took all that old-school magic and crammed it into a modern plugin, then added a few juicy extras for good measure.
I mean, it’s an Italian delay unit, and let’s be honest, almost everything from Italy is pretty great: pizza, espresso, pasta, tiramisu, Ferrari… and now this. The presets like “Pink Guitar” and “Brick Solo” clarify that this one is especially for Pink Floyd fans.
But no worries, as you don’t need to be rocking a Strat through a Hiwatt to reach those cool tones: it works for all kinds of vibes, from classic slapback to haunting, self-oscillating madness.
Long story short, if you love delay (I mean, who doesn’t?), this one is worth a look. Let’s see if it really delivers that vintage mojo or if it’s just another emulation collecting dust in the plugin folder.
| Feature | Details |
| Vintage Binson Echorec Emulation | Faithful recreation of the legendary Italian magnetic drum delay from the 1960s. |
| 3 Playback Modes | Classic (fixed speed), Varispeed (adjustable delay time), and Sync (DAW tempo lock). |
| 4 Playback Heads | Independently control each head’s volume, tone, panning, and delay timing. |
| 12 Head Combinations | Mix and match playback heads for multi-tap echo effects. |
| Echo Modes | Echo (slapback), Repeat (feedback delay), and Swell (layered, ambient echoes). |
| Extended Delay Time | Boosts the original unit’s 310ms max delay to up to 1100ms for more versatility. |
| Analog Character Controls | Age, Noise, and Speed settings let you dial in vintage warmth or a cleaner signal. |
| Stereo & Panning Options | Adjust stereo spread and independently pan each playback head. |
| Preamp Mode | Use it as a tube preamp when delay is set to 0ms. |
| Self-Oscillation & Feedback Tricks | Crank up noise and feedback for wild, evolving textures. |
Features
Audiority Echoes T7E packs some serious tools for modern producers while staying true to that vintage Binson Echorec mojo.
Well, if you ever dreamt of having an old-school echo unit without the hassle of cleaning tape heads or dealing with electrical gremlins, this is the right address. Let’s check the features that make it special!
- Faithful Binson Echorec Emulation
For me, this is a full-on love letter to the Echorec. Audiority meticulously modeled both the mechanical and electronic components, meaning you get the same lush, slightly wonky repeats that made the original famous.
The plugin even nails the signature warm, slightly dark sound that comes from the magnetic drum system.
- 3 Playback Modes
Unlike the original hardware, which was locked into one speed, Echoes T7E gives you 3 playback modes: Classic (fixed speed like the original), Varispeed (lets you tweak the delay time manually), and Sync (locks delay time to your DAW’s tempo).
Whether you want authentic vintage vibes or something more modern and flexible, you’ve got options.
- 12 Delay Patterns
By choosing different combinations of playback heads, you can create intricate rhythmic delays that standard tape echoes just can’t match. It’s like having a delay unit that doubles as a time machine for your tracks.
- 4 Playback Heads with Custom Combinations
The original Echorec had 4 playback heads arranged around its spinning drum, and Echoes T7E lets you mix and match them however you want.
You can activate individual heads or use pre-configured combinations to get anything from simple slapback to complex multi-tap echoes.
- Extended Delay Time for Modern Use
The hardware Echorec topped out at 310ms of delay, which is pretty short by today’s standards.
I loved that Echoes T7E extended that up to 1100ms, making it more usable for modern productions while retaining that analog character.
- Customizable Tone and Analog Flaws
When you need a pristine, well-maintained Echorec sound or something that sounds like it’s been sitting in a smoky studio for 40 years, the plugin got you covered.
With Age, Noise, and Speed controls, you can dial in everything from subtle analog warmth to full-blown vintage weirdness.
- Preamp Mode for Saturation
Set the delay time to zero, and boom, you’ve got yourself a warm, vintage-style preamp.
The Echorec’s tube-driven preamp is legendary for adding rich, musical color to audio, and the unit faithfully recreates that.
- Self-Oscillation and Feedback
One of the coolest things about the Echorec is its ability to go absolutely nuts with self-oscillating feedback.
Crank up the Feedback and Noise controls, tweak the Speed, and you can create evolving textures, pitch-shifting madness, or just infinite echoes that morph over time.
Interface and Workflow
Although Echoes T7E is a vintage-inspired plugin, the interface and workflow, thankfully, don’t feel like it’s coming from the 70s.
Authority created a clean, intuitive interface for a straightforward workflow, making the plugin enjoyable to work with.
Interface
Right out of the gate, the GUI gives off strong vintage vibes with its glowing EM81 “Magic Eye” tube meter, chunky rotary knobs, and a dark, old-school panel layout.
It looks cool, but more importantly, it’s functional. You get clear labeling, a logical layout, and smooth, responsive controls, so you’re never hunting around for key settings.
The playback head section is front and center, letting you toggle individual heads and adjust their tone, volume, and error (subtle variations in timing for added realism).
Below that, you’ve got easy access to the Echo, Repeat, and Swell modes, as well as a big Speed knob to tweak delay times manually.
For deeper tweaks, there’s a handy “under the hood” section where you can fine-tune aging, noise, stereo spread, and panning for each playback head. It’s a great touch that gives you complete control over how clean or gritty you want your echoes to sound.
Workflow
Using Echoes T7E is refreshingly straightforward, even if you’ve never touched an Echorec before.
You can get up and running in seconds by selecting one of the 12 pre-configured head combinations or manually dialing in a delay pattern that fits your track. The 3 playback modes (Classic, Varispeed, Sync) make it easy to integrate into any production style for freewheeling with manual tweaks or locking it into a DAW tempo grid.
If you’re just after a quick slapback delay, you can set the Mix knob to taste and be done in seconds. But if you want to go deeper, the feedback and noise controls allow for experimental textures, from lush ambient washes to full-blown self-oscillating madness.
One thing that stands out in terms of workflow is how interactive the plugin feels. Adjusting speed while echoes are playing creates wild, tape-like pitch shifts.
When you crank up the feedback and noise controls, you get unpredictable textures that always surprise you in a good way. This responsiveness and interactive design make the VST more fun to experiment with.
So, my takeaway is that the Echoes T7E has a nice vintage-authentic and modern usable design. You can keep it simple for classic delays or dive deep into its tweaking options to shape something truly unique.
First Impressions and Sound
From the moment I fired up Echoes T7E, I could tell this thing had some serious vintage mojo. The delays have that warm, slightly murky character you’d expect from a magnetic drum system. It’s not too clean or hi-fi, just pure analog sound.
Right away, I tried out some of the “Pink Guitar,“ “Shiny Diamond,” “Comfortable,” and “Brick Solo” presets because, let’s be real, if a plugin is trying to give me David Gilmour in a box, I have to see if it delivers. And yeah, it absolutely nails that Dark Side of the Moon vibe.
The 4 playback heads allow for rhythmic, overlapping echoes that add movement and dimension to leads. The Swell mode instantly creates lush, cascading echoes that fill up space beautifully.
Where I really started to get impressed was the Varispeed mode, as slowing down or speeding up the drum in real time brings that organic, tape-like pitch shift.
When you pair it with some self-oscillating feedback, you can craft a glitchy, evolving delay beast that invites you to go experimental.
One of my favorite tricks is to crank the noise and feedback to make the delay self-oscillate, then adjust the Speed knob to warp the pitch. This thing wants to be pushed into the red zone, and when you do, it reacts in a way that feels alive.
I gotta say, if you want razor-sharp precision, this isn’t the plugin for you. But if you want gritty, organic echoes dripping with history, Echoes T7E delivers in spades.
On the negative side, the lack of reverb and modulation effects decreases the unit’s versatility, especially when you compare it with broader delay units like EchoBoy. Also, dark and murky sound is sometimes hard to mix in dense projects, making it hard to cut through the mix. You have to know your way through the unit to balance the sound.
In the end, with this unit, you get a vibey, rich, and inspiring sound that is really close to Dark Side Of The Moon tones. For those who like iconic classic psychedelic rock tones, dub-style delays, or experimental sound design, it is the plugin to check!
Compatibility
| Platform | Requirements |
| Mac (Intel) | macOS 10.8 or later, Intel i5 or higher, 2GB RAM |
| Mac (Silicon) | macOS 11.0 or later, Apple M1 or higher, 2GB RAM |
| Windows | Windows 7 or later, Intel i5 or higher, 2GB RAM |
| Plugin Formats | VST2, VST3, AU, AAX, CLAP (64-bit only) |
| CPU Usage | Low to moderate, may experience minor lag when switching delay modes |
| Best Use Case | Works smoothly in major DAWs like Logic Pro, Ableton, Pro Tools, FL Studio |
Last Words
I can clearly say Echoes T7E is a vintage delay lover’s dream. It faithfully captures the warm, murky, and unpredictable charm of the Binson Echorec while adding modern flexibility like extended delay times, DAW sync, and deep tone shaping.
It’s lightweight on CPU, easy to use, and sounds impressive, but I must say it’s not the most versatile delay out there and is a bit of a niche product. If you already own Soundtoys EchoBoy, for instance, you might find it redundant.
If you want clean, digital precision, you should look elsewhere, but if you crave gritty, evolving echoes full of character, you are at the right address.
With 3 playback modes, 12 head combinations, and a preamp mode, the VST gives quite a bit of versatility for creativity. For Pink Floyd tones, dub-style echoes, or experimental feedback loops, this plugin has the vibe and flexibility to inspire.
So, give it a shot, try out the demo, and see for yourself if this baby deserves a place in your plugin arsenal. Happy mixing!
Berk Öztuna, a musician from Istanbul, is skilled in handpan, percussion, and guitar, performing and recording his own compositions globally. With expertise in music production and audio technology, he integrates virtual instruments and sound design tools seamlessly into his work. He also writes insightful articles on music production and gear for platforms like Plugin Noise and shares his music on Spotify and Instagram.