BLEASS Voices Review (Vocal Multi FX Tool)

Have you heard songs where vocals sound like an angelic choir one minute, a robotic overlord the next, and a funky synth in between? Artists like Bon Iver, Kanye West, and Daft Punk use unusual vocal effects a lot, and I have always looked for plugins from inspiration and found BLEASS Voices as a tool that could potentially bring my vision and inspiration to life. 

That’s why I’ve been diving headfirst into BLEASS Voices, a plugin that transforms, pitches, doubles, harmonizes, and basically warps your vocal ideas into things you didn’t even know you needed. It’s a tool that can make you rethink what’s possible with vocals and monophonic sounds.

So, when else do I use it other than experimentation? Pretty much anytime I need vocals to stand out or bring an extra dimension to a track. Whether I’m layering harmonies, creating otherworldly vocal textures, or making a simple melody line way more interesting, BLEASS Voices is my go-to.

In this review, I’ll walk you through what BLEASS Voices does best, the crazy cool features I’ve been geeking out over (looking at you, LFO modulations, and envelope followers), and why this plugin has become a must-have in my arsenal. Whether you’re a producer looking for pitch-perfect harmonies or someone chasing experimental vocal FX, stick around, as I’ll show you what this plugin can do for you.

Features

If you’re already familiar with BLEASS, you know they’ve got a knack for making plugins that are both powerful and ridiculously easy to use. So, I will start with the features that I found to be most useful and creative.

• Advanced Harmonization

Picture this: you’ve got a single monophonic vocal line, and suddenly, you turn it into a lush, 12-part harmony. BLEASS Voices lets you create up to 4 independent voices/harmonies from one input source, so you can craft everything from a Choir-sounding harmony section to a synth-like harmonization or even get wild experimental layering.

The best part? Each harmony gets its own dedicated mix bus. It’s like giving each voice its own little apartment so you can tweak formant, pitch, volume, and other parameters and process them. You can also pan them and add effects like stereo width, filters, etc., for added depth.  

• Real-Time Processing

Let’s talk about live performances for a second. You know that awkward half-second delay that kills the vibe? Yeah, BLEASS Voices doesn’t do that. It’s got super low-latency real-time processing, which means I can sing or play an instrument, and the harmonies will follow me without missing a beat.

The pitch detector works like a charm within a range of 66 Hz to 5.2 kHz, which I’m told is basically everything from a deep bass to a high soprano. Oh, and I can transpose those harmonies by up to ±12 semitones. That means you can replicate your vocal effects in live performances, too, and even modulate or play around with them for more quirks.

• Intelligent Pitch Correction

We’ve all been there: you’re crafting harmonies, and suddenly, one note is way off. Cringe. BLEASS Voices swoops in to save the day with its built-in pitch corrector. It keeps your harmonies locked into major, minor, or pentatonic scales, and no rogue notes are allowed.

Now, if you’re the adventurous type (or you just need a scale they don’t offer), you can pair it with MIDI input or some clever routing to make it work. I also love that you can adjust the pitch and formant for each voice individually. It’s like being the conductor of your own tiny vocal symphony.

• Synth-Style Modulation and Arpeggiation

This is where BLEASS Voices goes from “cool plugin” to “mind-blowing creative tool.” It’s got dual LFOs, an envelope follower, and a step sequencer that lets me modulate over 60 parameters. We’re talking pitch, formant, delay, stereo spread, you name it.

And then there’s the arpeggiator, which can let you create rhythmic, free-flowing, or synced patterns that make my harmonies sound alive. Whether I want dreamy evolving textures or punchy staccato effects, it’s all there. Honestly, it feels like having a synthesizer and harmonizer rolled into one sleek package.

• User-Friendly Interface

Let me just say that BLEASS knows how to make interfaces that don’t make me want to cry. Voices organize everything into five neat sections: Performance, MIDI, Voices, Modulations, and Sequencer. Even though this thing is packed with features, it never feels overwhelming.

The flat, colorful design isn’t just easy on the eyes but actually helps you find what you need without clicking through endless menus. Whether you’re a seasoned producer or someone who still asks, “What’s an LFO?” this interface will have you up and running in no time.

Interface and Workflow

If you have used any BLEASS plugins before, like the BLEASS Arpeggiator, it will take you no time to get familiar with the workflow. First, let’s talk about usability. BLEASS has nailed it with its signature minimalism-meets-functionality interface.

The interface is simple and straightforward, well-organized, and divided into five main tabs: Sequencer, Modulation, Voices, MIDI, and Performance. I will break down each section one by one.

Performance Tab

The Performance Tab is for live effects and creating dynamic, expressive sequences. This tab lets you route all sorts of incoming messages, like your keyboard’s modulation wheel or how hard you hit a note, to different parameters. I’ve used the “Slide” feature with my MPE controller to add a dreamy glissando effect to synth pads.

The Dispatch mode is the place where whether you want your notes to spread out randomly or come together like old friends at a reunion, it’s got you covered. You can use the Diverge mode to create cascading arpeggios for a cinematic score, and it feels like the music is painting itself.

MIDI Tab

Moving on to the MIDI Tab, this is where you shape your MIDI input into something special. For instance, the arpeggiator can get you “unstuck” on your melodies, basslines, etc. I’ll hold a few notes, and suddenly, BLEASS Voices spits out this groovy, syncopated pattern that makes me feel like a genius (even though the plugin is doing all the hard work).

The TUNE panel is also quite handy. Imagine you’re layering harmonies for a vocal sample and want to keep everything locked to a specific key, so you can just set it there, and you’re done. It even lets you add a glide effect for that classic portamento swoop.

Voices Tab

This is where the real fun begins. BLEASS Voices lets you create up to four harmonies from one input signal. Each voice is like its own mini workstation; you can tweak the pitch, add stereo width, and even shift the formants to make it sound like a robot or an alien choir (I’ve definitely overused this for sci-fi sound design).

One time, I used the glide feature to make an ethereal pad morph between chords, and it added such a lush texture to the track. The OUTPUT panel ties it all together, giving you control over the mix of dry and processed signals. The low-latency mode is a lifesaver for live performances because nobody wants a laggy harmony in front of an audience!

Modulation Tab

Modulation Tab is packed with two LFOs and an Envelope Follower that are definitely versatile. Like, I did use the LFOs to modulate filter cutoff, adding a pulsing rhythm to my synth lines.

There’s even a “Smooth” parameter that makes transitions feel buttery-smooth. It’s like the difference between spreading room-temperature butter on toast versus the cold stuff. The Envelope Follower responds well to the dynamics of your input signal. I’ve used it on drum loops to modulate reverb, making the reverb bloom on harder hits and fade on softer ones. It’s subtle but adds so much life to a mix.

Sequencer Tab

This tab is like having your own programmable sidekick. It’s perfect for creating motion and automation when you’re bored of static sounds. One time, I used the sequencer to modulate panning for a lead synth, and the way it danced across the stereo field made me grin like a kid on Christmas morning.

You can adjust step shapes, add randomness, and sync it to your DAW. It’s a playground for anyone who loves experimenting with patterns and movement in their music.

In short, BLEASS Voices feels like that one friend who’s always down for an adventure. Whether you’re crafting harmonies for a pop track, creating otherworldly textures for a film score, or just noodling around for fun, this plugin has the tools to make it happen and may even surprise you along the way.

The real-time controls shine, especially with the performance features. Modulation wheels, aftertouch, and MPE support mean you can literally play the plugin like an instrument.

Here are some final highlights about the interface that I love:

• Fully Resizable Interface

The plugin adapts to any screen size, allowing you to seamlessly integrate it into any setup, from a laptop to a large studio monitor. This flexibility ensures you can focus on your creativity without struggling with cramped or oversized layouts.

• Switchable Tabs with Simple On/Off Buttons

You can navigate effortlessly between sections like Performance, MIDI, and Modulation using intuitive tab-based controls. The easy on/off buttons let you quickly toggle features, helping you stay in the flow without hunting through complex menus.

• Dice for Randomization

As producers, there are instances when we feel stuck or are looking for inspiration. The dice feature can be a creative wildcard for moments like those. With just one click, it generates randomized parameters, unlocking unexpected combinations and ideas to spark new directions for your track.

• Presets Section with Organized Categories

Finding the right sound is a breeze, with presets grouped into clearly labeled categories like Tune, Double, Harmonize, Morph, and more. Whether you need subtle pitch correction or bold, experimental effects, these categories streamline the process of exploring and applying presets.

First Impressions

You know that moment when you crack open a new plugin and think, This will be just another version of what I already have? Well, BLEASS Voices gave me that same initial doubt until I started poking around. Let me tell you, this isn’t your run-of-the-mill vocal harmonizer or synth tool.

BLEASS has a knack for taking what you think you know and throwing in just enough creative chaos to keep you hooked. Voices is no exception. The interface, as always with BLEASS plugins, strikes that sweet spot between sleek modern design and “Wow, I can actually figure this out without a degree in rocket science.”

What I love most is how the workflow caters to both casual creators and hardcore tinkerers. If you’re someone like me, who sometimes just wants to load a preset, tweak a couple of knobs, and go, BLEASS Voices is perfect. But if you’re in the mood to create something truly unique, like, say, using your cat’s meow to generate an ethereal backing choir.

Yes, of course, the plugin is a huge playground for exploration as there are so many features and parameters, and beginners may find themselves stuck, but that’s where the preset section comes in. For previous BLEASS users, though, it should be a familiar play.

Compatibility

BLEASS Voices is available in AAX, VST3, and AU plugin formats and is compatible with Windows 8 and later and macOS 10.9 and later (64-bit only) (including macOS 11 Big Sur and M1/M2 processors) operating systems.

Conclusion

I am not gonna lie; BLEASS Voices can be complicated, but it’s worth exploring. I would use it not just on vocals but also on synths, horns or trumpets, flutes, and other instruments because why not?! Every instrument can use some harmonization and colors, as well as more width and depth.

For $69, I think it’s a really cool plugin, and if you have any doubts, go ahead and try its demo for free and be prepared to be either surprised, impressed, or confused hahah.

Shaurya Bhatia

Shaurya discovered his passion at the intersection of writing and music. Starting his career as a songwriter and rapper, he gradually picked up FL Studio and soon delved deep into the world of audio engineering and music production. Based in Delhi, India, he has worked with top studios, been featured on Red FM, garnered millions of streams on Spotify, and released music with major labels like Sony and Hitz.