J
jason
Guest

If you’re chasing that warm, analog vibe for your mixes, Bad Buss Mojo by Stillwell Audio is the hidden gem you’ve been looking for. This versatile saturation and distortion plugin recreates the subtle imperfections of analog mixing consoles, letting you inject grit, warmth, or harmonic excitement into your tracks with ease. While it may fly under the radar, its ability to add unique character makes it an essential tool for producers looking to stand out.



Bad Buss Mojo mimics the nuances of analog gear, from harmonic distortion to subtle saturation. It’s like having a vintage console at your fingertips.

No need to wrestle with complex parameters. With straightforward controls, you can dial in the perfect amount of warmth or grit in seconds.

Despite Stillwell Audio’s cult following, Bad Buss Mojo often goes unnoticed, making it a true hidden gem in the world of saturation plugins.


Use Bad Buss Mojo on a sterile digital mix to introduce harmonic excitement and glue your elements together. Perfect for making your tracks feel alive.

Add subtle saturation to vocals for a warm, intimate feel or crank up the distortion for edgy, aggressive textures.

Run your bass through Bad Buss Mojo to thicken low-end frequencies with rich harmonic overtones. Great for genres like rock, EDM, and hip-hop.


Apply Bad Buss Mojo to drum or mix busses to create a cohesive, warm, analog-style sound. It works wonders for gluing elements together.

Try using Bad Buss Mojo on a parallel track. Blend the saturated signal with your original to add subtle warmth without overpowering the mix.

Automate the saturation level to add movement and intensity during key moments in your track, such as build-ups or drops.


Have you tried Bad Buss Mojo yet?


Share your thoughts, workflows, and favourite Bad Buss Mojo presets below. Let’s dig into how this plugin can transform your tracks!

